New movies: Armand (2024) by Halfdan Ullmann Tøndel: A Descent into Parental Paranoia
- dailyentertainment95
- Jun 26
- 16 min read
The Core Story: When Childhood Allegations Explode Adult Worlds
"Armand" is a Norwegian psychological drama, the feature directorial debut of Halfdan Ullmann Tøndel, grandson of cinema legends Liv Ullmann and Ingmar Bergman. The film plunges into a single, claustrophobic parent-teacher meeting in an empty elementary school after hours. Elisabeth (Renate Reinsve), a single mother and a defamed actress, is summoned to discuss a serious incident involving her six-year-old son, Armand, and another boy, Jon.
What begins as a seemingly straightforward discussion about a playground altercation quickly spirals into a maelstrom of increasingly disturbing allegations, accusations, and denials. As the adults—Elisabeth, Jon's parents Sarah and Anders, and the bewildered school officials—grapple with the vague yet chilling accusations of sexual boundary-crossing, the lines between truth and manipulation blur. The film cleverly never shows the children involved, focusing entirely on the adults' escalating paranoia, hidden agendas, and how their own anxieties and past traumas distort their perceptions of the incident. It becomes a tense chamber piece that dissects parental folly, institutional responsibility, and the terrifying power of rumor and insinuation.
Short Summary: Allegations, Lies, and Adult Mayhem
In Halfdan Ullmann Tøndel's debut feature "Armand," a routine parent-teacher conference concerning six-year-old Armand and a classmate rapidly devolves into a nightmarish confrontation. As vague yet disturbing allegations of sexual misconduct emerge, the adults – including Armand's distraught mother Elisabeth (Renate Reinsve) – find themselves ensnared in a web of shifting truths, hidden histories, and escalating hysteria, all while the children remain unseen. The film is a masterclass in psychological tension and a sharp critique of how adult anxieties can weaponize childhood incidents.
Link IMDB: https://www.imdb.com/title/tt26745321/
About movie: https://www.charades.eu/movies/armand
Link to watch: https://www.justwatch.com/us/movie/armand (US), https://www.justwatch.com/ca/movie/armand (Canada), https://www.justwatch.com/fr/film/armand (France), https://www.justwatch.com/it/film/armand (Italy), https://www.justwatch.com/es/pelicula/armand (Spain), https://www.justwatch.com/de/Film/armand (Germany)
Detailed Look: The Unseen Children and the Adults' Unraveling
"Armand" is a film built on tension and ambiguity. Set almost entirely within the sterile, labyrinthine corridors of an elementary school, the isolated location enhances the feeling of claustrophobia and detachment from external reality. The core of the film's power lies in its brilliant decision to keep the children, Armand and Jon, completely off-screen. This forces the audience, much like the adults in the room, to construct their own interpretations of events based solely on fragmented accusations, defensive reactions, and the increasingly unraveling composure of the parents and school staff.
Renate Reinsve, known for her breakout role in "The Worst Person in the World," delivers a tour-de-force performance as Elisabeth. She navigates a spectrum of emotions from disbelief and fierce protectiveness to raw vulnerability and unsettling hysteria, often becoming the focal point around which the room's escalating chaos swirls. The film employs striking visual flourishes, evocative sound design (like a perpetually malfunctioning fire alarm), and moments of unsettling surrealism – including spontaneous dance sequences – to convey the characters' psychological states and the absurdity of the situation. It's a sharp social commentary on how quickly rumors can turn into "facts," how personal vendettas can be masked by concern, and the terrifying ease with which adults project their own fears and prejudices onto children's alleged actions. The screenplay, penned by Tøndel himself, meticulously peels back layers of deceit and hidden relationships, even if some critics felt its descent into surrealism occasionally detracted from its initial, taut realism.
Plot Summary: The Meeting That Never Ends
The Unsettling Invitation: Elisabeth, an actress, is summoned to her son Armand's elementary school for an urgent after-hours meeting, unaware of the serious allegations awaiting her.
The Vague Accusation: Upon arrival, she's confronted by a nervous young teacher, Sunna, and soon by Jon's parents, Sarah and Anders. The initial incident is vaguely described but implies sexual boundary-crossing by Armand against Jon.
Elisabeth's Defense: Elisabeth is incredulous and fiercely defends Armand, pointing out his young age and questioning the nature of the allegations.
Layers of Complexity: As the meeting progresses, the situation becomes increasingly muddled. Hidden past relationships between the parents are revealed (Sarah is Elisabeth's deceased husband's sister), personal animosities resurface, and the adults' own biases and vulnerabilities begin to distort their perception of the truth.
Escalating Tension and Surrealism: The initial drama morphs into psychological tension, punctuated by moments of dark humor, unhinged behavior (including Elisabeth's extended hysterical laughter), and surreal, almost hallucinatory dance sequences that reflect the characters' unraveling grip on reality.
The Unseen Children: Throughout the film, Armand and Jon are only discussed, never seen, allowing the focus to remain entirely on the adults' reactions and the power dynamics at play.
Ambiguous Resolution: The film builds to a chaotic climax where truth becomes an elusive concept, leaving the audience to grapple with the disturbing implications of unchecked adult fears and institutional failings.
Director's Vision: The Scrutiny of Halfdan Ullmann Tøndel
Halfdan Ullmann Tøndel's vision for "Armand" is deeply rooted in psychological realism with calculated forays into the surreal, aiming to explore the intricate dynamics of truth, perception, and responsibility within a confined, high-stakes environment.
Chamber Piece Intensity: Tøndel deliberately limits the setting to a single school, creating a claustrophobic atmosphere that forces intense focus on character interactions and escalating tension. This reflects a theatrical influence, allowing performances to drive the drama.
Absence as Presence: A key part of his vision is the decision to never show the children, Armand and Jon. This absence forces the audience and characters to project their fears and biases onto the unseen, making the film less about the "what" and more about the "how" and "why" of adult reactions to accusations.
Thematic Ambiguity: Tøndel explores how truth is constructed and manipulated, especially in emotionally charged situations. He aims to leave the audience questioning the motivations and reliability of every character, reflecting a societal preoccupation with scandal and retribution.
Psychological Unraveling: The film delves into the breakdown of composure and reality under pressure. This is manifested through the characters' increasingly erratic behavior, including Renate Reinsve's powerful portrayal of hysteria, and the incorporation of surreal elements like the dance sequences, which serve as externalizations of internal turmoil.
Sound and Visuals as Narrative Tools: Tøndel uses meticulous sound design (e.g., the faulty fire alarm, echoing footsteps) and specific cinematography (ominous lighting, elastic corridors) to enhance the film's tense, unsettling atmosphere and reflect the characters' deteriorating psychological states.
Critique of Adult Folly: Ultimately, his vision seems to be a critique of adult biases, fears, and the institutional response to sensitive issues, highlighting how the "scandal" often overshadows the well-being of those actually involved.
Themes: Echoes of Humanity
Truth and Perception: The elusive nature of truth when filtered through personal bias, past trauma, and the desire for self-preservation.
Parental Anxiety and Protection: The extreme lengths parents will go to protect their children, sometimes to the point of denying uncomfortable realities or projecting their own issues.
Institutional Responsibility and Bureaucracy: The often-ineffective and self-serving nature of institutional responses to sensitive issues, prioritizing procedure and reputation over genuine resolution.
The Power of Accusation and Rumor: How unverified allegations can spiral out of control, destroying reputations and creating chaos, particularly in the age of social media.
The Unseen Child: The symbolic representation of children as objects of adult projection and conflict, rather than fully recognized individuals.
Reality vs. Surrealism: The film's blend of grounded drama with moments of psychological breakdown and surrealism, questioning the characters' (and audience's) grip on reality.
Key Success Factors: Ingredients for Triumph
Renate Reinsve's Performance: Her magnetic and physically demanding portrayal of Elisabeth is consistently highlighted as the film's anchor, holding the narrative together even as her character's composure falls apart.
Unique and Timely Premise: The concept of a contained incident between unseen children sparking an adult psychological drama taps into contemporary anxieties about child safety, accusations, and public judgment.
Halfdan Ullmann Tøndel's Directorial Vision: Despite being a debut, Tøndel demonstrates a confident and distinctive directorial voice, blending psychological tension with surreal elements effectively.
Claustrophobic Atmosphere: The single, isolated setting and tight focus contribute significantly to the film's pervasive tension and suspense.
Award Recognition: Winning the Caméra d'Or at Cannes and Best Narrative Feature at the Hamptons International Film Festival, along with being Norway's Oscar entry, signals its artistic quality and critical appeal.
Awards and Nominations: Acknowledged Brilliance
"Armand" has garnered significant international acclaim, particularly for a debut feature:
77th Cannes Film Festival (May 2024):
Won: Caméra d'Or (Best First Feature Film) - Halfdan Ullmann Tøndel
Nominated: Prix Un Certain Regard
32nd Hamptons International Film Festival (October 2024):
Won: Best Narrative Feature
European Film Awards (December 2024):
Won: European Discovery – Prix FIPRESCI (Best First Feature) - Halfdan Ullmann Tøndel
Nominated: European University Film Award
Nominated: European Actress - Renate Reinsve
Directors Guild of America Awards (February 2025):
Nominated: Michael Apted Award for Outstanding Directorial Achievement in First-Time Theatrical Feature Film - Halfdan Ullmann Tøndel
97th Academy Awards (March 2025):
Chosen as the Norwegian entry for Best International Feature Film (made the December shortlist)
Critics Reception: Voices from the Critics
Rotten Tomatoes: (As of current date, 74% positive based on 73 critics' reviews, with an average rating of 6.7/10).
Consensus: "Whenever Armand's ambitious structure threatens to collapse into its own rabbit hole, Renate Reinsve's outstanding performance holds everything together even as her character's composure falls apart."
Summary of Reviewers: The majority of critics praise the film's ambition and Renate Reinsve's magnetic central performance. Many acknowledge the tension and the bold choice to keep the children unseen. However, a significant minority find that the film's ambitious structure and foray into surrealism sometimes undermine its initial tightness or lead to a cluttered narrative.
Metacritic: (As of current date, 61 out of 100, based on 22 critic reviews, indicating "generally favorable reviews").
Summary of Reviewers: Reviews are split, with 50% positive and 50% mixed. Critics praise its resonant and haunting quality, its exploration of secrets and lies, and its ability to spark post-screening discussions. Some positive reviews highlight the film's "gripping stylistic and dramatic control" and "superb ensemble acting." However, mixed reviews often cite an "unnecessary air of surrealism" or a "narrative lethargy" that sets in, with some finding it more of an "interesting formal exercise" than a fully coherent narrative. Some even labeled it "ostentatious mediocrity."
Eye for Film (Jennie Kermode):
Summary: Kermode finds the film to be a "smart, sharply written, well acted and beautifully paced" drama. She praises its ability to maintain tension and suspense even without showing the children, keeping the audience invested in the adults' reactions.
AV Club (Review):
Summary: While praising the film's visual flourishes and Renate Reinsve's "hysterically laughing fit" performance, the review states that "Armand is most successful when it maintains focus on the tense congregation of parents and officials, the latter being put in the awkward position of holding all perspectives equal while also enforcing a punishment for the party eventually found at fault." It criticizes the "unnecessary air of surrealism" and "petty intricacies" that "clutter the film's central investigation," finding the surreal elements to be "pure overkill" and arguing the film "suffers from the inclusion of an unnecessary air of surrealism."
Hammer to Nail (A Conversation with Halfdan Ullmann Tøndel & Renate Reinsve):
Summary (from the reviewer's perspective on the film): The reviewer was impressed, praising its "striking visual language, bold choreographed sequences, and unflinching exploration of parental anxiety and institutional responsibility," seeing it as an "exciting new chapter in Norwegian cinema's current renaissance." They found the film maintained "incredible tension while mostly taking place in real time."
Film Festival Today ("Armand" Needs Discipline):
Summary: This review is quite critical, stating that while Renate Reinsve delivers an "equally intricate interpretation of her role," the "surrounding script and mise-en-scène do everything to undermine her work." It describes the symbolism and surrealism as combining "with very little meaning, just anxious portent" and finds the film to "flail about" by trying too hard to be artistic without grounding.
The Arts Fuse (Film Review: "Armand" -- Drowning in Portent):
Summary: This highly critical review argues that Tøndel "mistakes gratuitous strangeness for genuinely uncanny adventure." It finds the film "enamored of its own seriousness" to the point of being "laughable" and "pretentious." It criticizes the dialogue, murky lighting, and the surreal elements as not adding to the narrative, concluding that the film "drowns in portent."
Overall Critics Reception Summary:
"Armand" has received a strong and generally positive critical reception, particularly for a debut feature, with its Rotten Tomatoes score reflecting a consensus of appreciation. The film is widely lauded for its original, high-concept premise, its claustrophobic atmosphere, and the masterful central performance by Renate Reinsve, who is seen as the film's compelling anchor. Critics commend Halfdan Ullmann Tøndel's confident direction, striking visuals, and innovative sound design.
However, the reception is not entirely uniform. A notable minority of critics express reservations about the film's descent into surrealism and abstract dance sequences, finding them at times unnecessary or distracting from the core psychological drama. Some found the narrative could become a bit cluttered or that the film lost some of its initial precision in its later stages. Despite these points of contention, "Armand" is largely viewed as a bold, ambitious, and highly engaging debut that successfully tackles complex themes of truth, perception, and adult anxieties, leaving audiences with plenty to discuss.
Reviews
Plugged In Movie Review (Armand):
Summary: This review, from a Christian perspective, focuses on content. It praises Renate Reinsve's "impressive performance range" as an "awards-bait acting showcase." It notes the film's R rating due to language and "sexual material," and describes the plot's descent into a "tangled web of accusations" where "judgment to race ahead of the facts." It highlights the film's symbolism (e.g., the broken fire alarm) and its critique of how "tawdry allegations, founded or not, can take on a life of their own."
Overall Impression: Positively notes the acting and thematic relevance, while providing content warnings.
Reddit (r/AMCsAList - "Armand" A-List pocket Review):
Summary: A Reddit user review that "liked 'Armand' a lot," despite the "depressing" topic. It praises the "well crafted" nature of the film which "hinges on a series of meetings." The reviewer found the meetings "tense" and noted how adult issues and jealousies "keep welling up, like layers of an onion being unpeeled." While they found the "abstract scenes, hallucinations" distracting for about "10 minutes," they felt "the rest was pretty riveting." Other comments confirm interest, mention the director's lineage, and note limited screenings.
Overall Impression: Positive, highlighting the compelling tension and character dynamics, with minor critique of surreal elements.
Box Office Mojo & The Numbers:
Summary: These sites provide box office data and basic film information, not critical reviews. They confirm "Armand"'s international theatrical release starting in September 2024 (Norway) and a US release in February 2025. They show its current worldwide gross at approximately $972,518 (as of June 25, 2025), with a significant portion coming from Norway. This indicates a typical performance for an acclaimed arthouse film with limited distribution.
Overall Impression: Informational, not critical review.
Overall Reviews Summary:
The "reviews" available are a mix of critical analyses from film review sites (already covered in the "Critics Reception" section), content-focused summaries, and audience impressions. Across these sources, the general sentiment towards "Armand" is that it is a powerful and engaging psychological drama. Renate Reinsve's central performance is universally praised as outstanding and the driving force of the film. Reviewers consistently highlight the film's unique premise and the compelling tension created by keeping the children unseen and focusing on the adult reactions. While some found the surreal elements and narrative shifts occasionally distracting or less impactful, the consensus is that the film is a thought-provoking, well-acted, and atmospherically rich debut that successfully delves into the complexities of truth, accusation, and parental anxiety. Its strong festival performance and awards confirm its standing as a significant work in contemporary European cinema.
Box Office: A Notable Arthouse Success
"Armand" had its world premiere at the 77th Cannes Film Festival on May 18, 2024, where it won the Caméra d'Or. It then began its theatrical rollout in Norway on September 27, 2024, and had a limited release in the United States by IFC Films starting February 7, 2025.
As of late June 2025, its worldwide box office gross is approximately $972,518.
Domestic (United States): $109,061
International: $863,457 (with Norway contributing the largest share at $619,105)
This performance is typical and successful for an independent, non-English language arthouse film. Its strength lies in critical acclaim, festival recognition, and potentially streaming/VOD revenue, rather than large commercial grosses. The film has found a strong audience in its home country of Norway and in key international territories like France and Spain, reflecting its strong artistic appeal.
Production Summary: A Nordic Psychological Study
"Armand" is a 2024 Norwegian psychological drama film with a running time of 117 or 118 minutes.
Directed by: Halfdan Ullmann Tøndel (feature directorial debut)
Written by: Halfdan Ullmann Tøndel
Produced by: Andrea Berentsen Ottmar, Dyveke Bjørkly Graver (Eye Eye Pictures), with co-producers from KeplerFilm (Netherlands), Prolaps Produktion (Sweden), One Two Films (Germany), and Film i Väst (Sweden).
Starring:
Renate Reinsve as Elisabeth (Armand's mother)
Ellen Dorrit Petersen as Sarah (Jon's mother)
Endre Hellestveit as Anders (Jon's father)
Thea Lambrechts Vaulen as Sunna (the teacher)
Øystein Røger as Jarle (the principal)
Vera Veljovic as Ajsa (the nurse)
Cinematography: Pål Ulvik Rokseth
Sound Design: Mats Lid Støten
Production Companies: Eye Eye Pictures (Norway), KeplerFilm (Netherlands), One Two Films (Germany), Prolaps Produktion (Sweden), Film i Väst (Sweden).
Distributed by: IFC Films (US), Norsk Filmdistribusjon (Norway), Charades (International Sales).
Country of Origin: Norway (co-produced with Netherlands, Sweden, Germany)
Language: Norwegian
MPA Rating: R (for some language and sexual material)
The production emphasized finding a specific, almost "carceral" elementary school location to enhance the atmosphere. The collaboration between Tøndel and Renate Reinsve, particularly on the more extreme and physical aspects of Elisabeth's character, was a significant part of the creative process.
Release Dates: From Cannes Acclaim to Global Screens
World Premiere: May 18, 2024 (77th Cannes Film Festival, Un Certain Regard section)
Norwegian Theatrical Release: September 27, 2024
United States Theatrical Release (Limited): February 7, 2025
Other International Releases: Varied throughout late 2024 and early 2025 (e.g., December 2024 in Russia/CIS and South Korea, February 2025 in Spain and Romania, March 2025 in France, April 2025 in Turkey and Finland).
Why to Recommend Movie: A Cinematic Invitation
For Fans of Intense Psychological Drama: If you thrive on films that delve deep into the human psyche and explore the unsettling nature of truth and perception.
A Masterclass in Performance: Essential viewing for anyone who appreciates powerful, transformative acting, particularly Renate Reinsve's electrifying portrayal.
Unique Narrative Concept: The film's bold choice to keep the central "incidents" and the children unseen creates a unique, thought-provoking cinematic experience.
Award-Winning Debut: If you are interested in discovering promising new directorial voices, Halfdan Ullmann Tøndel's debut signals a significant talent.
Sharp Social Commentary: For those who enjoy films that subtly critique societal anxieties, institutional failings, and the impact of rumor and accusation.
Why to Watch Movie: The Power of Presence
Experience Unrelenting Tension: The film's claustrophobic setting and escalating revelations will keep you on the edge of your seat.
Witness Renate Reinsve's Range: See why she's one of the most exciting actresses working today, in a role that demands immense emotional and physical commitment.
Engage in Post-Film Discussion: "Armand" is designed to provoke thought and conversation about its ambiguous ending and complex themes.
Appreciate Artistic Craft: From the cinematography to the sound design and intentional use of surrealism, the film is a finely crafted piece of cinema.
Dive into Modern European Cinema: Discover a highly acclaimed entry from the flourishing Nordic film scene.
Movie Trend: Following the Current
"Armand" aligns strongly with the trend of "Chamber Piece Thrillers" or "Psychological Dramas" that rely heavily on dialogue, character dynamics, and confined settings to build tension, often exploring societal anxieties through intimate conflicts. It also represents the rise of "Scandi-Noir Drama" in a more psychological vein, moving beyond traditional crime narratives. Furthermore, it exemplifies the growing trend of "Debut Auteur Cinema" gaining significant international festival recognition and distribution, highlighting new voices with distinct artistic visions. Its exploration of contested narratives and public perception also places it within the broader trend of films reflecting on the "post-truth" era and the impact of social media culture on how incidents are interpreted.
Social Trend: Mirroring Society
"Armand" brilliantly mirrors contemporary social trends surrounding "Cancel Culture," "Trial by Public Opinion," and the hyper-sensitivity around child safety and allegations. In an age where accusations can instantly go viral and reputations can be destroyed without due process, the film acutely captures the terrifying speed with which rumors escalate into perceived facts, and how adults can project their own biases and insecurities onto ambiguous situations. It reflects a societal anxiety about "stranger danger" vs. "familiar danger", the difficulty of discerning truth when emotions run high, and the often-flawed nature of institutional responses to complex human issues. The film also touches on the societal fascination with scandal and the readiness to consume and judge personal dramas, often at the expense of genuine understanding or the well-being of the actual individuals involved. It's a potent reflection of how quickly civility can erode when personal agendas and collective anxieties take hold.
Final Verdict: "Armand": A Potent Exploration of Parental Panic and Unseen Truths
"Armand" emerges as a taut, unsettling psychological drama that firmly establishes Halfdan Ullmann Tøndel as a significant new voice in cinema. The film masterfully exploits its claustrophobic single-setting premise, transforming a routine parent-teacher meeting into a harrowing arena where adult anxieties and hidden agendas brutally collide. Renate Reinsve delivers a tour-de-force performance, anchoring the film with a raw intensity that captivates even as her character unravels. The bold decision to keep the children off-screen proves to be a narrative stroke of genius, forcing the audience to grapple with ambiguity and the power of perception. While its occasional forays into surrealism might divide some viewers, "Armand" is an unflinching and timely social commentary on the terrifying ease with which unverified accusations can spiral out of control, revealing the often-flawed nature of human judgment and institutional responses. It's a powerful and memorable debut that resonates long after the credits roll, leaving a chilling impression of the unseen forces that can dismantle lives.
Recommendations for Filmmakers: Crafting Confined Chaos and Unseen Depths
Master the Art of the Confined Space: Utilize limited settings to your advantage, transforming physical constraints into psychological intensity. "Armand" demonstrates how a single room can become a pressure cooker for human drama, forcing characters and audiences into intimate, inescapable confrontations.
Embrace Ambiguity and the Unseen: Recognize the power of what is not shown. By keeping the central "incident" and the children off-screen, "Armand" brilliantly forces audience engagement and highlights the subjective nature of truth, proving that the unseen can be far more disturbing and thought-provoking than explicit depiction.
Trust Your Lead Performers: Cast actors who can carry immense emotional weight and give them the space to truly inhabit complex characters. Renate Reinsve's commanding performance is a cornerstone of "Armand"'s success, showcasing how a strong lead can anchor even the most volatile narratives.
Integrate Stylistic Flourishes with Purpose: While experimental elements like surrealism or sudden tonal shifts can be bold, ensure they serve to deepen character psychology or thematic resonance, rather than simply existing for artistic display. In "Armand," the moments of unsettling oddity often reflect the characters' unraveling minds.
Recommendations for Movie Industry: Championing Bold Debuts and Unsettling Truths
Invest in Distinctive Debut Voices: Actively seek out and support first-time feature directors who demonstrate a clear, singular vision, even if their concepts are unconventional or challenging. "Armand"'s success at major festivals proves the global appetite for fresh, audacious storytelling.
Prioritize Thought-Provoking Psychological Dramas: Recognize the enduring appeal and critical importance of films that delve into complex human behaviors, societal anxieties, and moral dilemmas without relying on overt genre tropes. These films often spark crucial conversations and leave a lasting cultural impact.
Leverage Festival Recognition for Broader Reach: Utilize accolades from prestigious film festivals like Cannes to strategically position and distribute arthouse films. Festival buzz can be a powerful catalyst for gaining wider audience attention, even for non-English language features.
Embrace Films That Spark Dialogue: Support projects that bravely tackle sensitive or ambiguous topics, prompting audiences to engage in critical thinking and post-viewing discussion. Films like "Armand" are invaluable for their ability to reflect and critique contemporary social dynamics.
Final Conclusions: "Armand": A Chilling Reflection on Allegation and Adult Anxieties, Igniting a New Cinematic Voice
"Armand" stands as a compelling and unsettling masterclass in psychological tension, cementing Halfdan Ullmann Tøndel's reputation as a formidable new director. By confining its intense drama to a single, claustrophobic parent-teacher meeting, the film meticulously dissects the volatile interplay between truth, perception, and accusation. Renate Reinsve delivers an electrifying, unmissable performance that captures the spiraling chaos of a mother caught in a nightmare of vague allegations. The bold narrative choice to keep the children at the center of the storm unseen is brilliant, forcing the audience, much like the characters, to fill in the blanks with their own anxieties and biases. "Armand" is more than just a suspenseful chamber piece; it's a profoundly relevant social commentary on the frightening speed with which rumor can become reality and how adult fears can weaponize the innocence of childhood. This award-winning debut is a stark and unforgettable cinematic experience that will leave you questioning what truly happened, and perhaps more importantly, how easily a shared delusion can take hold.
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