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Box Office Review: The Battle of Blockbusters vs Niche Experiences

  • Writer: dailyentertainment95
    dailyentertainment95
  • 2 days ago
  • 16 min read

The domestic box office on May 8, 2025, paints a clear picture of a market increasingly defined by its extremes: the enduring power of mega-franchises and event cinema, juxtaposed with the volatile performance of niche and independent releases.

"Thunderbolts"* led the single-day earnings with over $4.2 million, demonstrating the strong initial draw of a major cinematic universe title in its first week. Close behind, "Sinners" continued its impressive run, holding strong with over $3.1 million, underscoring the consistent demand for well-executed genre films like horror.

However, the undeniable titan in the cumulative gross is "A Minecraft Movie," which has soared past $400 million in just 35 days, solidifying the immense commercial power of popular intellectual property (IP) that successfully translates across media platforms. Other top cumulative earners include "Sinners" and "Captain America: Brave New World," further emphasizing the audience's preference for familiar stories and characters.

Trending films largely comprise these top performers, showing resilience against typical weekday drops. Conversely, films like "The Surfer" and "Bonjour Tristesse", both new entries within their first week, illustrate the challenges faced by smaller, independent releases to gain traction against the cinematic giants. Notable daily increases for films like "Becoming Led Zeppelin" (a music documentary) and the "Snow White" re-release highlight the potential for specialized content and event screenings to capture specific audiences, albeit often with volatile daily swings.

The overarching trend is a polarization of the market: audiences are increasingly selective, reserving their theatrical dollars for event cinema—spectacular, immersive experiences offered by major blockbusters or films based on beloved IP. This also reflects a broader "experience economy" where going to the movies is seen as an outing that must offer something unique beyond what streaming can provide. Smaller films, often lacking the marketing muscle or built-in fanbase, struggle to compete in this environment, relying on critical acclaim, niche appeal, or limited, targeted engagements to find their audience.

In Verdict, the May 8th box office underscores the industry's reliance on established franchises and the evolving nature of theatrical consumption. While the big screen remains a powerful platform for blockbusters, filmmakers and studios must increasingly adapt to audience preferences for immersive experiences and familiar narratives, while also exploring innovative strategies for original and specialized content to thrive in a highly competitive landscape.

What Movies are Trending?

While most films are showing a natural weekday decline, some are holding their ground or demonstrating sustained interest:

  • Thunderbolts*: Despite a small daily drop, it's the top earner for the day and, being only 7 days into its release, is showing strong initial performance. Its position as a Marvel Cinematic Universe film suggests strong fan engagement.

  • Sinners: Also demonstrating resilience with a minimal daily decrease after 21 days, indicating consistent audience draw, likely due to its genre appeal.

  • A Minecraft Movie: Although its daily take is lower than the top two, its impressive cumulative gross of over $400 million signifies its significant long-term appeal and widespread audience engagement.

What are the Top Movies?

Single Day (May 8, 2025):

  1. Thunderbolts*: $4,263,198

  2. Sinners: $3,103,887

  3. The Accountant 2: $755,393

Cumulative Gross (To Date as of May 8, 2025):

  1. A Minecraft Movie: $401,036,434 (35 days in release)

  2. Sinners: $193,337,331 (21 days in release)

  3. Captain America: Brave New World: $200,391,390 (84 days in release)

  4. Thunderbolts*: $95,354,195 (7 days in release)

  5. Snow White: $86,159,529 (49 days in release)

What are the Top Movie Types/Genres?

Based on the top-performing movies, several genres are clearly resonating with audiences:

  • Action/Superhero: Dominated by "Thunderbolts*" (Action, Super Hero, Action Adventure, Sci-Fi) and "The Accountant 2" (Action Thriller), this genre continues to be a major box office draw, particularly for franchise films with built-in fanbases.

  • Horror: "Sinners" (Horror) and "Until Dawn" (Survival Horror) demonstrate a consistent demand for chilling narratives and jump scares. Horror films often prove to be profitable due to their relatively lower budgets and dedicated fan followings.

  • Family/Adventure/Animation: "A Minecraft Movie" (Animation, Comedy, Action, Family, Adventure, Fantasy) showcases the immense power of popular intellectual property, especially those with cross-generational appeal and rooted in gaming.

  • Drama/Biographical: The strong performance of "Becoming Led Zeppelin" (Documentary, Music) suggests an appetite for well-made biographical films and documentaries, especially when they cater to established fan bases.

What are the Movies with Highest Increase and Reason Why?

Movies with the highest daily percentage increase:

  • Becoming Led Zeppelin (+47.2%): This music documentary, which has garnered significant critical praise for its comprehensive look at the iconic band, is experiencing continued strong performance in limited release. Documentaries often see fluctuating daily numbers as they are programmed for specific screenings or events, and strong word-of-mouth can lead to unexpected bumps in revenue. Its success is noted as a positive sign for the theatrical viability of documentaries.

  • Snow White (+40.8%): Despite its overall underperformance and controversies since release, a significant daily increase like this for a film 49 days out typically indicates a special event, a weekend bump carrying into the weekday, or a strategic re-expansion into certain theaters. Given its prior struggles, this could be an anomaly or a targeted effort to boost numbers.

  • A Man and a Woman 2025 Re-release (+21.8%): As a re-release, films often experience erratic daily grosses based on specific showtimes, niche audience interest, or limited engagements, leading to noticeable percentage shifts.

What are the Movies with Highest Decrease and Reason Why?

Movies with the highest daily percentage decrease:

  • The Surfer (-33.5%): After only 7 days, a significant drop could indicate that the film opened to a smaller, dedicated audience and is now experiencing a rapid fall-off as that initial interest wanes, typical for independent or niche releases. Its cumulative gross of $1,020,388 further supports it being a smaller release.

  • Janis Ian: Breaking Silence (-43.7%): This documentary, similar to "The Surfer," is likely a niche release with limited screenings. Such films often see sharp declines once initial fan or specific audience interest has been served, and its total gross of $47,749 suggests a very limited theatrical run.

  • Pride & Prejudice 20th Anniversary Re-Release (-81%): A massive drop for a re-release often signifies the end of its limited engagement. These films are typically screened for a short, defined period, and once that window closes, their box office plummets.

What are the New Entries?

The term "new entries" here refers to films that have been in theaters for a relatively short period, typically within their first week.

  • Thunderbolts*: (7 Days in Release)

    • Description: A highly anticipated Marvel Cinematic Universe film focusing on a team of antiheroes. The plot involves an unconventional team ensnared in a death trap, forced on a dangerous mission that brings them face to face with their pasts. It features characters like Yelena Belova, John Walker, and Ava Starr.

    • Performance: Performing very well. As the top earner for the day and with a cumulative gross of over $95 million in just 7 days, it is a significant performer and indicates strong initial interest, typical of a major MCU release. It is currently among the top 5 highest-grossing films released in 2025.

  • The Surfer: (7 Days in Release)

    • Description: Stars Nicolas Cage as a man who returns to his idyllic childhood beach to surf with his son but is thwarted and humiliated by a group of aggressive locals. The film is a psychological thriller that pushes the protagonist to his breaking point amidst escalating conflict and heat.

    • Performance: Underperforming compared to tentpole releases. With a cumulative gross of just over $1 million in 7 days and a significant daily drop, it appears to be a niche or independent film struggling to find a wide audience.

  • Bonjour Tristesse: (7 Days in Release)

    • Description: A modern retelling of Françoise Sagan's 1954 novella. It follows 18-year-old Cécile languishing by the French seaside with her father and his lover when the arrival of her late mother's friend, Anne, threatens her world, leading Cécile to devise a plan with tragic consequences.

    • Performance: Underperforming. With a cumulative gross of only $147,959 in 7 days, this film is a very limited release, likely targeting an arthouse or specialized audience. Its performance indicates it's not a mainstream draw.

What Movie Trend Box Office is Following?

Trend Name: The Blockbuster & Niche Polarization

Summary: The box office data clearly indicates a growing polarization in movie consumption. Major studio blockbusters with established intellectual property (like "Thunderbolts*" and "A Minecraft Movie") continue to dominate the top spots, drawing large audiences and accumulating significant cumulative grosses. These films benefit from extensive marketing, recognizable characters, and often a built-in fanbase.

Conversely, the market for smaller, niche, or independent films (such as "The Surfer," "Bonjour Tristesse," and various documentaries or re-releases) is much more volatile and limited. While these films might achieve critical acclaim or cater to specific fan bases, their box office performance is often minimal, marked by sharp declines after an initial small bump, reflecting limited theatrical runs and targeted releases. The middle-budget, original films struggle to find their footing.

This trend suggests that audiences are increasingly selective about what they watch in cinemas, reserving their theater visits for big-screen spectacle or highly anticipated events, while consuming a broader range of content through streaming services.

What Big Social Trend is Following?

Trend Name: Experience Economy & IP-Driven Engagement

Summary: This box office data reflects a broader social trend where consumers prioritize experiences and readily engage with familiar, established intellectual property (IP).

  • Experience Economy: People are willing to pay for a cinematic experience, especially for films that offer spectacle, immersion, or a shared cultural event that streaming cannot fully replicate. This explains the continued success of Marvel films ("Thunderbolts*", "Captain America: Brave New World") and large-scale animated adventures ("A Minecraft Movie"). A movie theater visit is increasingly seen as an event rather than just a default viewing option, competing with other forms of out-of-home entertainment.

  • IP-Driven Engagement: The massive success of "A Minecraft Movie" and the consistent performance of "Thunderbolts*" underscore the public's strong attachment to popular brands, video games, and existing cinematic universes. Audiences are more likely to invest their time and money in content they are already familiar with, reducing the risk for studios but potentially stifling original narratives. The strategic inclusion of YouTubers in the marketing of "A Minecraft Movie" highlights the blend of digital content creators and traditional cinema in capturing audience attention, leveraging pre-existing online communities.

Final Verdict

The domestic box office on May 8, 2025, paints a picture of a market heavily reliant on tentpole releases and established franchises. While these big films provide the bulk of the revenue, there's a persistent, albeit smaller, audience for specialized content, particularly documentaries and re-releases that cater to specific tastes. The overall market shows a typical weekday dip, but the top performers maintain a healthy pace. The strong performance of "A Minecraft Movie" in cumulative gross highlights the enduring power of popular IP, especially those bridging different media (video games to film). The industry appears to be adapting to changing consumption habits by focusing on event-driven cinema and leveraging digital influences.

Recommendations for Filmmakers:

  • Prioritize Strong Concepts with Broad Appeal or Niche Depth:

    • Detail: For mainstream success, focus on high-concept stories that offer unique cinematic experiences (e.g., compelling action, stunning visuals, innovative storytelling) that justify a theatrical visit. If pursuing niche content, ensure it resonates deeply with a defined audience, as exemplified by the surprising longevity of "Becoming Led Zeppelin" or the consistent pull of horror films.

  • Leverage Existing Intellectual Property Strategically:

    • Detail: If adapting existing IP, understand what makes it resonate with its fanbase and aim to deliver an authentic yet fresh experience. Consider cross-platform engagement, as seen with "A Minecraft Movie" integrating YouTubers, to tap into pre-existing communities and build anticipation.

  • Embrace Diverse Storytelling within Popular Genres:

    • Detail: While action and superhero films dominate, explore different sub-genres or introduce new perspectives within these popular frameworks to avoid fatigue and attract new audiences. For example, a nuanced character study within a superhero narrative could draw wider appeal beyond just action enthusiasts.

  • Focus on the Theatrical "Experience":

    • Detail: Design films that truly benefit from the big screen—whether through immersive sound, stunning visuals, or collective audience reactions. This helps differentiate the theatrical experience from at-home streaming, giving audiences a reason to leave their homes.

Recommendations for the Movie Industry:

  • Innovate Cinema Experience to Justify Theatrical Release:

    • Detail: Continue investing in premium formats (IMAX, Dolby Cinema, etc.), enhanced comfort (recliner seating), and unique screening events. Create a "destination" experience that goes beyond just watching a movie, to combat the convenience of streaming.

  • Strategic Release Windows:

    • Detail: Maintain longer exclusive theatrical windows for major blockbusters to maximize their box office potential before moving to streaming. The current trend of studios delaying streaming releases to protect box office revenue indicates this is a viable strategy. For smaller films, consider targeted, limited releases with flexible expansion based on early performance and critical reception.

  • Foster New Talent and Original Content:

    • Detail: While IP is king, nurturing original screenplays and diverse voices is crucial for long-term industry health. Implement programs or funding for original projects that might not fit the blockbuster mold but offer compelling narratives. This ensures a pipeline of fresh ideas and prevents creative stagnation.

  • Strengthen Marketing Through Digital Integration:

    • Detail: Fully embrace digital marketing strategies, including collaborations with social media influencers, interactive online campaigns, and engaging content that generates buzz. Leverage platforms like YouTube, TikTok, and other social channels to reach diverse demographics and build communities around films, especially for younger audiences who are heavily influenced by online personalities.

  • Analyze and Adapt to Audience Preferences:

    • Detail: Continuously gather and analyze data on audience preferences, not just in terms of genre, but also viewing habits, pricing sensitivity, and desired cinematic amenities. Be agile in adapting release strategies and content development to these evolving consumer behaviors.

Box Office Expectations: Navigating a Polarized Landscape in 2025 and Beyond

Based on current trends and industry projections for 2025 and beyond, the box office is expected to continue its recovery trajectory, but with a distinct focus on tentpole releases and an evolving theatrical experience.

Short-Term Outlook (Remaining Weeks of May & Early June):

  • Sustained Performance for Top Tier: Films like "Thunderbolts"* are expected to maintain strong performances, likely staying at the top of the daily and weekly charts for several more weeks. Its initial robust performance and its affiliation with the highly popular Marvel Cinematic Universe suggest it will continue to be a significant earner.

  • Horror and Animation Legs: "Sinners" is anticipated to continue its solid run, leveraging the consistent appeal and profitability of the horror genre. "A Minecraft Movie" will steadily add to its impressive cumulative gross, likely remaining a top earner in the family and animation segments due to its widespread appeal and established IP.

  • Typical Declines for Mid-Tier and Niche Films: Most other films on the chart will likely experience continued weekday declines, characteristic of the later stages of their theatrical runs. Niche and limited releases will see more volatile daily fluctuations, with their overall performance depending on specific regional engagements or word-of-mouth.

Medium-Term Outlook (Rest of 2025):

Industry analysts are cautiously optimistic for the full year 2025. Gower Street Analytics, for instance, has revised its 2025 global box office projection to $34.1 billion, an increase from previous estimates. This would represent an approximate 13% increase year-on-year from 2024. For the Domestic (North American) market, projections hover around $9.5 to $9.7 billion, an expected 8-9% increase over 2024. While this is a positive step, it still represents a 17% deficit against the average of the last three pre-pandemic years (2017-2019).   

Key expectations for the remainder of 2025 include:

  • Dependence on Blockbuster Slate: The box office will heavily rely on a consistent flow of major studio releases and franchise films throughout the year. Upcoming titles like "Mission: Impossible – The Final Reckoning," "Lilo & Stitch," "How to Train Your Dragon," "Jurassic World: Rebirth," and "Superman" are among those expected to drive significant revenue. The latter half of the year, particularly Q3 and Q4, is anticipated to be the strongest, with studios banking on their tentpole releases.   

  • The Continued Power of IP: Films based on established intellectual property (IP) – from superheroes to video games and animated classics – are expected to be the primary drivers of ticket sales. Audiences are showing a clear preference for familiar stories and characters.   

  • Emphasis on Theatrical Experience: Cinemas will continue to focus on enhancing the moviegoing experience through premium formats (IMAX, Dolby Cinema), comfortable seating, and improved concessions to entice audiences away from home streaming.

  • Varied Performance Across Genres: While action, superhero, and animation will lead, horror is expected to remain a consistently profitable genre due to its relatively lower budgets and dedicated fanbase. Documentaries and independent films will continue to find success in niche markets, often benefiting from limited runs and strong word-of-mouth.

Long-Term Outlook (Beyond 2025 to 2030/2034):

The long-term outlook for the movie theater industry points to continued evolution and adaptation in the face of competition from streaming services.

  • Continued Recovery and Growth: The global movie theater market is projected to grow at a CAGR of 5.3% from 2025 to 2034, potentially reaching $72.7 billion by 2034 (from $5.3 billion in 2024 for drive-ins, and overall market reaching $118.6 billion by 2033 from $65 billion in 2023). This growth is driven by technological advancements, the rise of private screenings, and increasing demand for high-quality content.   

  • Technological Integration: Expect further investment in advanced projection and sound systems, immersive technologies (e.g., 3D, 4DX), and enhanced customer amenities. Drive-in theaters are also seeing a resurgence, leveraging nostalgia and outdoor entertainment demand.

  • Diversified Content and Distribution Models: While blockbusters will remain crucial, there's an increasing recognition of the need for diversified content offerings. Studios may explore varied release strategies, including shorter theatrical windows for some films or hybrid releases, to optimize revenue across different platforms.

  • Global Market Shifts: The Asia-Pacific region, particularly China, is expected to continue playing a dominant role in global box office growth, driven by increasing urbanization and rising disposable incomes.   

  • Competition with Streaming: Streaming platforms will remain a significant competitor, pushing theaters to continuously innovate and emphasize the unique social and communal aspects of moviegoing. The industry will likely continue to explore subscription models and premium services to attract and retain audiences.

In essence, the box office is expected to see a gradual, albeit uneven, return to healthier revenue levels. The future success hinges on the industry's ability to consistently deliver compelling, event-worthy films and a premium theatrical experience that distinguishes itself from at-home viewing.

Core Trend Detailed: The Ascent of Event Cinema & IP-Driven Dominance

Name: The Ascent of Event Cinema & IP-Driven Dominance (also referred to as Theatrical Polarization driven by the Experience Economy)

Description: This core trend signifies a fundamental shift in how audiences engage with films in a post-streaming world. It describes the increasing tendency for moviegoers to primarily visit cinemas for major "event" films—those offering a spectacle, shared cultural moment, or a deep connection to established intellectual property (IP). Simultaneously, it highlights the growing challenge for mid-budget, original films, and independent features to attract significant theatrical audiences, often leading to a polarized box office where a few blockbusters dominate, while a wider array of content struggles to find its footing on the big screen. This is intrinsically linked to the "experience economy," where consumers prioritize unique, memorable, and shareable experiences over passive consumption.

Key Characteristics of the Trend:

  • Blockbuster Dominance: A disproportionate share of box office revenue is generated by a small number of high-budget, visually spectacular, or culturally significant films.

  • IP Centrality: Films based on pre-existing and popular intellectual property (e.g., superhero comics, video games, established franchises, classic literature with a twist) consistently outperform original content. Audiences are more willing to invest in familiar narratives and characters.

  • Focus on "Event" Experience: Cinema visits are increasingly viewed as a special occasion or an event, rather than a casual outing. This includes seeking out premium formats (IMAX, Dolby Cinema), immersive technologies, and the communal aspect of watching a highly anticipated film with a large audience.

  • Theatrical Polarization: A widening gap in performance between top-tier, must-see theatrical releases and a growing number of films that struggle to justify a wide theatrical run, often being pushed to streaming platforms sooner or directly.

  • Social Media Amplification: The desire for shareable experiences fuels engagement, with audiences keen to discuss, react to, and post about "event" films online, contributing to their cultural omnipresence.

Market and Cultural Signals Supporting the Trend:

  • Box Office Data from May 8, 2025:

    • "Thunderbolts"* (Marvel IP) leading the daily gross just 7 days into release, demonstrating immediate fan engagement.

    • "A Minecraft Movie" (Video Game IP) achieving a staggering $401 million cumulative gross, proving the immense power of cross-media IP.

    • "Sinners" (Horror, often a genre with dedicated fanbase) holding strong.

    • "The Surfer" and "Bonjour Tristesse" (smaller, potentially original/niche films) showing limited cumulative grosses and significant daily declines after only a week, highlighting the struggle of non-event films.

    • The success of re-releases like "Becoming Led Zeppelin" and "Snow White" (even with fluctuations), suggests a demand for unique, nostalgic, or culturally significant "event" screenings.

  • Industry Focus: Major studios are increasingly greenlighting projects based on established IP or those designed as spectacle-driven blockbusters. This includes adaptations of comic books, video games, animated classics, and established film franchises.

  • Consumer Behavior Shifts: Post-pandemic, consumer spending habits have shifted, with a noticeable preference for experiences over material goods, particularly among younger generations (Millennials and Gen Z). This translates to a willingness to pay more for a premium theatrical experience for films deemed "worth it."

  • Social Media Phenomenon: The "Barbenheimer" phenomenon (Barbie and Oppenheimer) in 2023 showcased the power of cultural moments and collective moviegoing experiences. Viral discussions and user-generated content around films create a sense of FOMO (Fear Of Missing Out) that drives theatrical attendance.

  • The Rise of Location-Based Entertainment: Growth in activities like escape rooms, immersive art exhibits, and themed attractions indicates a broader cultural appetite for interactive, out-of-home experiences, which cinematic events can tap into.

How the Trend Is Changing Consumer Behavior:

  • Selective Cinema Attendance: Consumers are no longer casual moviegoers. They are more discerning about which films they choose to see in theaters, often reserving their cinema visits for highly anticipated releases, big spectacles, or social events.

  • Value-Driven Decisions: With rising ticket prices and abundant streaming options, audiences demand greater value from their theatrical experience. This includes high production quality, strong narratives, and a communal atmosphere.

  • Digital-First for Non-Events: For films that don't meet the "event" threshold, consumers are increasingly content to wait for them to arrive on streaming platforms, reinforcing the trend of shorter theatrical windows for certain titles.

  • Engagement Beyond the Screen: Audiences engage with films through merchandise, themed events, social media discussions, and fan communities, extending the movie experience beyond the two-hour runtime.

  • FOMO (Fear of Missing Out): The shared cultural conversation around major releases drives many to see films in theaters to be part of the zeitgeist and avoid spoilers.

Implications Across the Ecosystem:

  • For Brands (Non-Movie Related):

    • Opportunities for Partnership: Brands can capitalize on the immense cultural reach and emotional connection of IP-driven blockbusters through co-branding, product placement, and themed campaigns. This provides access to vast, engaged fan communities and global audiences, as seen with numerous partnerships for major film releases.

    • Experiential Marketing: Brands can create immersive experiences around films or their own products, leveraging the consumer's desire for unique interactions and shareable moments.

    • Alignment with Cultural Values: Brands can strategically align with films that reflect their values or resonate with their target demographics, fostering deeper emotional connections with consumers.

  • For Movie Industry (Studios, Exhibitors, Filmmakers):

    • Studios: Increased pressure to invest in high-concept, IP-driven films with massive marketing budgets. Challenges in greenlighting and promoting original mid-budget content. Need to develop sophisticated release strategies that balance theatrical exclusivity with streaming windows.

    • Exhibitors (Theater Owners): Critical need to enhance the theatrical experience (premium screens, comfortable seating, diverse concessions, loyalty programs) to differentiate from home viewing. Potential for diversifying offerings with live events, concerts, or niche film festivals.

    • Filmmakers: Greater emphasis on directing IP-based projects or creating original films that are undeniably "event-worthy." Independent filmmakers face steeper hurdles in theatrical distribution, often turning to festivals and streaming platforms for broader reach.

  • For Consumers:

    • More Spectacle: Access to increasingly grand and immersive cinematic experiences for major films.

    • Fewer Original Mid-Budget Options: Potentially a narrower selection of original, non-franchise films released theatrically, with many migrating directly to streaming.

    • Enhanced Home Viewing: Continued growth and sophistication of streaming services, offering convenience and a vast library of content for non-event viewing.

    • Cost Considerations: Higher ticket prices for premium experiences, requiring consumers to be more selective with their cinema choices.

Strategic Forecast:

The trend of event cinema and IP dominance is expected to intensify over the next few years. Studios will continue to prioritize major franchise films and established IP as their safest bets for theatrical success. The theatrical window for these blockbusters will likely remain significant, while mid-tier original films will increasingly find their primary distribution on streaming platforms, potentially leading to a more fragmented viewing ecosystem. The "experience" factor will become paramount for theaters, pushing innovation in exhibition technology and unique programming. Brand collaborations with major films will become more sophisticated, moving beyond simple product placement to integrated marketing campaigns that leverage fandoms and create immersive experiences. The industry will likely see a continued emphasis on global box office performance, as international markets become even more critical to a film's overall success.

Final Thought:

The box office is not dying; it's evolving. It's transforming into a highly curated arena for shared cultural events and immersive spectacles. While this shift provides incredible highs for top-tier films and exciting opportunities for brands, it also necessitates a strategic re-evaluation for the entire ecosystem to ensure a diverse and sustainable future for cinematic storytelling. The magic of the big screen will endure for those experiences deemed truly "must-see," but the definition of a "moviegoing event" will continue to narrow.

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